TIME Star Trek: Inside the Most Influential Science Fiction Series Ever by The Editors of TIME

Author:The Editors of TIME
Language: eng
Format: epub
Tags: PER010020;SOC022000;FIC028000
Publisher: THEI
Published: 2016-07-07T16:00:00+00:00

In Voyager, actress Jeri Ryan plays a Borg—an alien race of cybernetic organisms that operate as a “Collective” that assimilates other species.

SINCE THE TIME OF THE GREEK PHILOSOPHER ANAXIMANDER, humans have gazed up at the heavens and wondered: Is anyone else out there? For some, the idea that we might be the most advanced beings in all of creation offers a sense of supremacy. Others find it a lonely thought.

Reality has yet to offer a conclusive answer one way or the other, leaving our imaginations to run wild. If aliens do exist, what might they look like? How would they behave? And crucially: Would they be friend or foe? Thinkers no less great than the physicist Stephen Hawking have warned of the latter possibility. “If aliens ever visit us, I think the outcome would be much as when Christopher Columbus first landed in America, which didn’t turn out very well for the Native Americans,” Hawking remarked in a 2010 documentary on the subject.

Thankfully for the curious among us, science-fiction writers have stepped up to fill our imaginations with myriad possibilities. Their creations have extended far beyond the archetypical “little green men.” H.G. Wells’s 1898 War of the Worlds, widely hailed as an exemplar of the genre, gave us terrifying Martian invaders and their tripodal death machines. The Day the Earth Stood Still (1951) offered Klaatu, who visited Earth to urge humanity to end our warlike ways. And of course there was E.T., the disarmingly cute alien simply in need of a ride home.

But nothing in science fiction has contributed to the depth of the extraterrestrial encyclopedia like Star Trek. From the Bajorans (a proud people struggling to recover from another species’s hostile occupation of their world) to the Tamarians (a seemingly incomprehensible race that turns out to communicate through mythology and metaphor), Star Trek’s writers have dreamed up nearly 300 different alien species and counting, according to the fan website Memory Alpha. And that’s just the humanoids.

How can one franchise spawn so many aliens—and so many memorable ones, at that? Necessity, as they say, is the mother of invention. Science fiction typically uses spaceships, death rays and time travel as devices to offer ominous warnings about the ways humanity can go awry. Star Trek creator Gene Roddenberry flipped that script, introducing to a 1960s audience a future in which an integrated cast of humans (and, just to drive the point home, one actual alien) work together to better understand their universe.

That utopian vision was essential to Trek’s DNA, but it was also a tremendous challenge for one group of people: Star Trek writers, who faced the daunting task of writing stories in which the main characters all got along just fine.

“Gene was very big on not wanting to create conflict among the characters on the show,” says Rick Berman, who led the Star Trek franchise after Roddenberry died in 1991 until 2005 and produced several series and feature films. “He felt that humans, especially Starfleet humans, had evolved to a point where he didn’t want to see conflict between them.

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